Sidney Feshbach


, 2000a, An orchestration of the arts in Wallace Stevens' "Peter quince at the clavier", in M. Kronegger (ed.), The orchestration of the arts — a creative symbiosis of existential powers, Dordrecht, Kluwer, pp. 183-194.

, 2000b, Elegy rebuffed by pastoral eclogue in Wallace Stevens' "sunday morning", in A. Tymieniecka (ed.), Life creative mimesis of emotion, Dordrecht, Kluwer, pp. 231-245.

, 1992, The light at the end of the tunnel is coming right at me, or, the dialectic of elemental light and elemental dark, in A. Tymieniecka (ed.), The elemental dialectic of light and darkness, Dordrecht, Kluwer, pp. 55-84.

, 1991, The hundredlettered name: Thunder in James Joyce's Finnegans wake, in A. Tymieniecka (ed.), New queries in aesthetics and metaphysics, Dordrecht, Kluwer, pp. 283-297.

, 1990, The passion of apprehension: The soul’s activity as the agent intellect in James Joyce's A portrait of the artist as a young man, in A. Tymieniecka (ed.), The elemental passions of the soul poetics of the elements in the human condition III, Dordrecht, Kluwer, pp. 511-533.

, 1988, Empedocles: the phenomenology of the four elements in literature, in A. Tymieniecka (ed.), Poetics of the elements in the human condition II, Dordrecht, Kluwer, pp. 9-63.

, 1985a, Literal/littoral/littorananima, in A. Tymieniecka (ed.), Poetics of the elements in the human condition: the sea, Dordrecht, Reidel, pp. 325-342.